- Kontak Ons
|5 Februarie||WILD LIFE/ Wild Lewe||Vaardigheid|
|19 Februarie||WILD LIFE/ Wild Lewe||Kompetisie|
|7 Maart||SANLAM UITSTALLING|
|7 Mei||HUMAN PORTRAITURE Menslike portretkuns||Vaardigheid|
|21 Mei||HUMAN PORTRAITURE Menslike portretkuns||Kompetisie|
|4 Junie||ABSTRACT / Abstrak||Vaardigheid|
|18 Junie||ABSTRACT / Abstrak||Kompetisie|
|9 Julie||SHAPES & COLOURS
Vorm en kleur
|23 Julie||SHAPES & COLOURS
Vorm en kleur
|6 Augustus||MACRO / CLOSE UP
Makro en nabyskote
|20 Augustus||MACRO / CLOSE UP
Makro en nabyskote
|3 September||STREET PHOTOGRAPHY
|17 September||STREET PHOTOGRAPHY
|8 Oktober||FOOD / PRODUCT PHOTOGRAPHY
Voedsel / produkfotografie
|22 Oktober||FOOD / PRODUCT PHOTOGRAPHY
Voedsel / Produkfotografie
SET SUBJECTS FOR 2019
AS TAF CLUB IS AN ACTIVE MEMBER OF THE PSSA, THE CATEGORY DEFINITIONS AS SET OUT BY PSSA FOR SALON SUBMISSIONS WILL APPLY TO THE MONTHLY SET SUBJECT WHERE APPROPRIATE. PLEASE READ THROUGH THESE CAREFULLY BEFORE MAKING YOUR SUBMISSIONS.
Wildlife, birds and garden birds may include images of undomesticated animal species in their natural habitat.
Wild Animals in their natural habitat
Endemic garden birds
Wild birds in their natural habitat
Domesticated animals and birds – pets
Animals in captivity
Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces like hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible. Photographs of artificially created hybrid plants, cultivated plants, feral animals, domestic animals, obviously set arrangements, mounted specimens including insects or animals doped or killed for macro (or any other type of photography), are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
Any action which causes harm, no matter how unintentional it may be, is not acceptable. The use of live bait and actions such as chilling, freezing, spinning or light anaesthesia of any creature is unethical and therefore not acceptable. No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning. All allowed adjustments must appear natural. Colour images can be converted to greyscale/monochrome. Stitched images are not permitted. Infrared images, either direct-captures or derivations, are not allowed.
Please note that this month’s set subject is defined as WILDLIFE—NOT nature, and that the appropriate rules are applied.
MARCH: SCAPES (Urban and/or Rural)
Scapes is a term that covers the depiction of scenery such as mountains, valleys, trees, rivers, forests, sea, cities etc. where the main subject is a wide view with its elements arranged into a coherent composition. A horizon often (but not necessarily) forms part of a “scape”. Scapes may be natural or man-made.
Derived terms include: • Cityscape • Seascape • Nightscape • Snowscape • Streetscape • Urban scape • Sandscape
Monochrome is a black and white image. A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey.
A black and white work toned entirely in a single colour will remain a monochrome work able to stand in the black and white category. On the other hand a black and white work modified by a partial toning or by the addition of one colour becomes a colour work (polychrome) to stand in the colour category.
In this category the subject matter is totally open
Manipulation is allowed. Monochrome images only.
MAY: HUMAN PORTRAITURE:
Images must be of humans only. A likeness, personality and mood of a human where that subject is dominant in the image. Portraiture is not restricted to head and shoulders and may include just a part of the face, a back view or even a full-length study. A human-interest image depicting a person or persons in an interactive, emotional or unusual situation, excluding recreational and sports action is also allowed.
An exercise in composition for the sake of art. The real identity of the abstractionist’s subject is not important and the result is not intended to be anything.
JULY: SHAPES & COLOUR
AUGUST: MACRO / CLOSE UP
MACRO – manipulation is allowed* Macro photography is extreme close-up photography, where you get close to a small subject by physical or optical means. Starting at approximately 1/4 life size i.e. when the subject being photographed is four (4) times the size of the film frame or digital sensor. There is no limit on the upper end. The size of the subject in the finished photograph is greater than life size. *Macro fits as a subsection of Open as well as Nature; when entered in a Nature section, manipulation is NOT allowed.
SEPTEMBER: STREET PHOTOGRAPHY
Street photography records un-posed scenes in public places. The primary subject is people and/or symbols of people, at rest or in motion, alone or with others, going about their everyday activities. Manipulation should be confined to colour correction and judicial cropping. (PSSA Definition)
OCTOBER: FOOD/PRODUCT PHOTOGRAPHY
Food photography is a still life photography genre used to create attractive still life photographs of food. It is a specialization of commercial photography, the products of which are used in advertisements, magazines, packaging, menus or cookbooks. Professional food photography is a collaborative effort, usually involving an art director, a photographer, a food stylist, a prop stylist and their assistants
Product photography is a branch of commercial photography which is about accurately but attractively representing a product. The principal application of product photography is in product catalogues and brochures, with a proportion of product images also being used in advertising.
Any images depicting water in any format is allowed, providing that the water is obviously the subject in the image. Water comes in different forms i.e. liquid, solid (ice) and gas (steam) and all are acceptable for this set subject.
From the crashing of turbulent waves against the rocks on a stormy afternoon to the calm crystal-clear reflections in a country dam, there are many ways to photograph water. The blurred milky effect achieved by slowing down the shutter speed or “freezing” the shot using fast shutter speeds to capture the detail in the water. Water can be found all around us, in streams & rivers, waterfalls, the ocean, rain drops, icicles, glaciers, puddles, ice blocks, lakes, dripping taps, morning dew on leaves. The images for this assignment can also be achieved indoors by photographing a reflection through a water droplet (refraction) or a droplet dripping into a glass of water, or the splash of fruit as it is dropped in a jar of water.
PSSA ETHICS STATEMENT